frah Ahmed refuses to let the horrific female genital mutilation she suffered at the age of eight define her. “I don’t want to be a victim. I want to be a voice,” says the 32-year-old campaigner.
She is one of the first women to publicly speak out about female genital mutilation (FGM) in Somalia – a country where it is estimated that 98% of women have undergone the ritual – and now her journey from powerless victim to powerful role model has been dramatised in a film. A Girl from Mogadishu has just had its UK premiere at the Edinburgh film festival and will be released across the UK in cinemas later this year.
In the first 10 minutes it shows Aja Naomi King, who plays Ahmed as a 15-year-old girl, being violently gang-raped by Somali militants. After that, she makes the dangerous journey from Somalia to Ireland to seek asylum, too scared to question anything her male smugglers want her to do. Upon her arrival, a male gynaecologist examines her and tries to find out what has happened to her, but she has no words to explain it to the male translator, just tears. But then, about halfway through, with the help of other women, she starts to find her voice. By the end of the film, she is shouting about FGM in front of Barack Obama, making speeches at the United Nations and being praised by the president of Somalia.
For Ahmed, who has devoted her life to campaigning against FGM and was instrumental in bringing about the 2012 legislation banning the practice in Ireland, the movie was an opportunity to challenge how survivors of FGM are perceived. “I don’t want people to see me as a victim. I want people to see me empowering other women. I want to show people that whatever Somali women have been through, we can be strong and overcome it.”
She hopes that others who have suffered FGM will watch the film and feel less alone. “It’s hard for women to speak out about FGM. So when two young Somali women came up to me after watching the movie in Edinburgh and hugged me, and said: ‘Ifra, you are speaking for all of us,’ I felt so happy. I felt so proud.”
It took courage for her to open up to the film’s director and scriptwriter, Mary McGuckian. “It’s not easy, sharing your story with the world. But if it helps women to realise that this cutting is something we should talk about it.”